Editor Introduction

Hello, readers!

As the second week of the new semester slowly comes to a close, I thought it might be best to introduce myself.

My name is Lucy Kiefert and I will be the editor-in-chief of the Hedge Apple for Spring 2020. I am currently completing my final semester at HCC and, as I do so, I will also be in charge of online and print duties for the magazine from now through May. Needless to say, I am very excited to come into contact with you all over the course of the coming weeks as submissions continue to roll in. Having the privilege to partake in others’ art (of all kinds) has always been deeply refreshing and inspiring to me.

To offer some guidance for anyone who plans on submitting to our issues this semester (Themes to be announced in the next few days!), below are what I consider to be my editor expectations as well as my personal writing/reading aesthetic. I hope it sparks something in you — perhaps, even, a new piece will come out of it.

Happy Writing! I look forward to hearing from you.

— Lucy

EXPECTATIONS: Much of what I derive my vision as an editor from has to do with how much heart I can detect in someone’s work. Oftentimes, if I’m reading something and it feels half-baked or simply thrown on the page without much care for how it sounds or what it illustrates, I lose interest — if the author can’t even seem to care about what they’re saying, it does not come naturally to me to want to do that for them. Additionally, unconventionality, uniqueness, and insight are just a few characteristics that can make a difference for me as an editor. Overall, this is what I would ask of any submissions I get: that they’re thought out, with passion behind them, sent in by writers who — no matter what it is that they’re writing about — devote themselves to that idea. I want work I can get behind, throw my support into, and be able to spend a chunk of time editing if I have to simply because I believe in it. If I can connect with the author’s intentions in some way, and sense the power in what they’re trying to create, whether it’s through a beautifully worded line or a vivid image, then I consider the piece successful. And I’d be more than likely to include it.

AESTHETIC: Anything grimy, gritty, glam, grunge, sweeping, flowing, dynamic, vintage, rustic, raw; catching a bullet between your teeth; the happy in the sad, the sad in the happy; the dark in the bright, the bright in the dark; things meaning a little more to you than they probably should; a single second stretched into an eternity; nighttime; the importance of where you are, how it looks, and how it makes you feel; heat of the moment; kicking over the table; screaming just because you want to; whining about everything and calling yourself out for it… but then choosing to own it instead; romanticizing things that never even happened; feeling like a phony… but then choosing to own it instead; accepting that you’re rather small and the world is rather big (but believing all the while that something is undeniably waiting for you out there); there is no such thing as coincidence (This was meant to happen.); putting together what absolutely should not go together (But it works, doesn’t it?); chaos and peace are not mutually exclusive; sifting through everyday occurrences for some sort of meaning and coming up empty, doing it again and coming up with your hands full; seeing the beauty in the mundane and the ugly and the terrible because we’re writers… and so there is beauty in everything… because there has to be.

Now Accepting Submissions

Hello again!

We are pleased to inform you that Hedge Apple is officially open for submissions for Spring 2020. Themes have yet to be decided on and announced, but in the meantime, do feel free to send in any pieces you feel are eligible to be published on our site or in the coming issues.

Thank you for reading, and we hope to hear from you soon!

Sincerely,

The Editors

Hedge Apple is live!

Dear readers and contributors,

The Spring 2019 edition of Hedge Apple magazine has been officially submitted to Amazon direct publishing!

Contributors: expect your complimentary copies to arrive in the next two to three weeks.

Everyone else: Once Amazon’s review process is complete, the magazine will be available here!

In the meantime, stay tuned for more posts on a slow summer release.

It’s been a wonderful ride. Thank you all for being a part of it.

—The Hedge Apple Team

Forecasting the Fate (2): A Wuxing Poem – Changming Yuan

This is the last of Yuan’s submission. It makes for a good close. Enjoy!

~~~

Forecasting the Fate (2): A Wuxing Poem

– Believe it or not, the ancient Chinese 5-Agent Principle accounts for us all.

1/ Water (born in a year ending in 2 or 3)

-helps wood but hinders fire; helped by metal but hindered by earth

with her transparent tenderness

coded with colorless violence

she is always ready to support

or sink the powerful boat

sailing south


2/ Wood (born in a year ending 4 or 5)

-helps fire but hinders earth; helped by water but hindered by metal

rings in rings have been opened or broken

like echoes that roll from home to home

each containing fragments of green

trying to tell their tales

        from the forest’s depths


3/ Fire (born in a year ending 6 or 7)

-helps earth but hinders metal; helped by wood but hindered by water

your soft power bursting from your ribcage

as enthusiastic as a phoenix is supposed to be

when you fly your lipless kisses

you reach out your hearts

until they are all broken


4/ Earth (born in a year ending in 8 or 9)

-helps metal but hinders water; helped by fire but hindered by wood

i think not; therefore, I am not

what I am, but I have a color

the skin my heart wears inside out

tattooed intricately

with footprints of history

5/ Metal (born in a year ending in 0 or 1)

-helps water but hinders wood; helped by earth but hindered by fire

he used to be totally dull-colored

because he came from the earth’s inside

now he has become a super-conductor

for cold words, hot pictures and light itself

all being transmitted through his throat

~~~

Yuan Changming published monographs on translation before leaving China. Currently, Yuan lives in Vancouver, where he edits Poetry Pacific with Allen Qing Yuan. Credits include ten Pushcart nominations, Best of the Best Canadian Poetry (2008-17) and BestNewPoemsOnline among others.    

Snow In, Snow Out, On My Birthday & Off – Changming Yuan

Snow In, Snow Out

In the wild open west, flakes keep falling

Like myriad baby angels knocked down from Paradise

    Blurring the landscape behind the vision

Hunting each consonant trying to rise above

The ground. The day is brighter, lighter &

 Softer than the feel. Soon there will be

Dirty prints leading to everywhere (or nowhere)

& no one will care how the whole world will collapse

      In blasphemy. The missing cat won’t come to

     Trespass the lawn, nor will the daffodil bloom

To catch a flake drifting astray. Nobody bothers even to think

    About where the season is held up on its way back, how

       The fishes are agitating under the pressure of wintry

       Water, why people wish to see more and more snow

~~~

On My Birthday & Off

I don’t remember how many years old

I am, but I do care about my birthday, a time

When I can imagine getting good wishes

Or words. Rather than having a party

With a big cheese cake or a bowl of longevity

Noodles, I would prefer to leave home

For a lonely walk in the country, wandering

In a poetic wonderland, where I stop to reflect:

For more than a decade I have done what I could

By way of a poem, but since it is unlikely I can

Do anything with it, I find it the proper

Occasion to write one last stanza just

To commemorate my yearly visits to

Qucheng, Homerburgh, Dantefield

Shakespeareston, Goethestadt

Pushkingrad, Baudelaireville

Nerudastad, Frostdale, & Tagorerboro

~~~

Yuan Changming published monographs on translation before leaving China. Currently, Yuan lives in Vancouver, where he edits Poetry Pacific with Allen Qing Yuan. Credits include ten Pushcart nominations, Best of the Best Canadian Poetry (2008-17) and BestNewPoemsOnline among others.  

Monody to the Murmuring Mountain, Clefting – Changming Yuan

Monody to the Murmuring Mountain

Twenty minimeters of pink petals.


Twenty minimetres of stretch and reach

Floral foil, twenty minimeters

Of soil, grass, dew, bush

Sitting in green meditation about

The balance between yin and yang

Myriad of leaves,

Falling down with mists

Of last night approaching – twenty minimeters


Of ethereal presence, kissing

The thick ridges – is the soul

The melody of equanimity?

Insects sloughing off


In chameleon-rhythms.

You stopped as you heard them


Twenty minimeters of dandelions rolling against

The vastness of sky and mountain

~~~

Clefting

Between two high notes

The melody gives a crack

Long enough

To allow my entire selfhood to enter

Like a fish jumping back

Into the night water


Both the fish and I leave no

Trace behind us, and the world

Remains undisturbed as we swim

Deeper and deeper in blue silence


Upon my return, I find the music

Still going on, while the fish has

Disappeared into the unknown

~~~

Yuan Changming published monographs on translation before leaving China. Currently, Yuan lives in Vancouver, where he edits Poetry Pacific with Allen Qing Yuan. Credits include ten Pushcart nominations, Best of the Best Canadian Poetry (2008-17) and BestNewPoemsOnline among others.  

Montage – Alesa Good

Alesa Good is 19 years old and lives in Waynesboro, PA.  She is currently enrolled at HCC but will be graduating with a Visual Arts degree at the end of the Spring semester.  She hopes to transfer to the Maryland Institute College of Art in the Fall and major in illustration.

~~~

Thank you, Alesa, for providing our choice for this print edition’s cover art!

Infinitival Infinities: A Sonnet in Fragments, My Crows – Changming Yuan

These two poems are the first of a series we received from Changming. We’ll be publishing the rest of our cache over the next few days. Enjoy!
~~~

Infinitival Infinities: A Sonnet in Fragments

To be   a matter when there’s no question

Or not to be  a question when nothing really matters

To sing  with a frog squatting straight

On a lotus leaf in the Honghu Lake  near Jingzhou

   To recollect  all the pasts, and mix them

Together like a glass of  cocktail

To build   a nest of meaning

Between two broken branches on  Ygdrasil

To strive  for deity

Longevity  and

Even happiness

To come  on and off line every other while

To compress  consciousness into a file, and upload it

    Onto a nomochip

           To be  dying, to   die

~~~

My Crows

1/

Still, still hidden

Behind old shirts and pants

Like an inflated sock

Hung on a slanting coat hanger


With a prophecy stuck in its throat

Probably too dark or ominous

To yaw, even to breathe


No one knows when or how

It will fly out of the closet, and call


2/

Like billions of dark butterflies  

Beating their wings  

Against nightmares, rather

Like myriads of  

Spirited coal-flakes

Spread from the sky  

Of another world

A heavy black snow  

Falls, falling, fallen  

Down towards the horizon

Of my mind, where a little crow

White as a lost patch

Of autumn fog

Is trying to fly, flapping   

From bough to bough

~~~


Yuan Changming published monographs on translation before leaving China. Currently, Yuan lives in Vancouver, where he edits Poetry Pacific with Allen Qing Yuan. Credits include ten Pushcart nominations, Best of the Best Canadian Poetry (2008-17) and BestNewPoemsOnline among others.  

Joey Beifong, Maku, Li-Yang – Joshua Cantler

~~~

Joshua D. Cantler has been writing story series for several years, and he has shared his work on the fan fiction website Wattpad since 2016. He particularly enjoys producing fictional works in the genres of science fiction, fantasy, and action. In collaboration with his two siblings, he creates characterizations and illustrations to accompany his writings.

Two Blue Pills – John Maurer

From breaking into the liquor cabinet

to breaking into the houses with better liquor cabinets

from a boarding school chimney by a checkered neck tie

to forty-ounce portioned freedom and swishers almost sweet enough

from burning cows into fornication with celebrities…allegedly

to probably still pouring accelerant on innocent animals…I hope not

but probably


I had to move on from everything to improve on everything

Having suppressed memories unearthed and asking the psychiatrist

Can you rebury that? At least for the week

I just already am dealing with so much

Dealing with being

Dealing with knowing I won’t

~~~

John Maurer is a 23-year-old writer from Pittsburgh that writes fiction, poetry, and everything in-between, but his work always strives to portray that what is true is beautiful. He has been previously published in Claudius Speaks, The Bitchin’ Kitsch, Thought Catalog, and more than twenty others. @JohnPMaurer (johnpmaurer.com)