Tag: Spring 2020

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It’s Official: Hedge Apple 2020 is Live!

If you chose to peruse the pages of Amazon whilst in search of new reading material, and then decided to enter in the search bar, “Hedge Apple Magazine,” it is entirely possible that our Spring 2020 issue would come up. That’s right, folks – it’s live!

I want to once again thank everyone who submitted their work this spring, especially those whose pieces made our print issue possible. This was not my first time as an editor, but it was by far my most integrated and expansive experience with the position thus far, and that has a lot to do with the submissions we received, all of which were special and enlightening in some way.

So give yourselves a pat on the back – we have all created something wonderful here (and in the time of a pandemic, no less)!

Thank you for everything, and may summer treat you well.

Sincerely,

Lucy Kiefert, Spring 2020 Editor – signing off

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An Afternote to a Book Without Us – Holly Day

An Afternote to a Book Without Us

Cockroaches raced along the ground here long before

there were dark alleys and rancid dumpsters,

truck drivers and greasy spoon diners, old hamburger wrappers

to curl up inside. Before we were here, cockroaches

scuttled in the nests of dinosaurs, fed on the sticky albumin

of newly-hatched eggs, dug tunnels in massive piles of fecal matter,

were old even then. They lived through

the asteroids, the second and third great extinctions,

left petrified footprints in the mud

alongside our first bipedal ancestors.

They will be here to see the last flower of humanity

wilt in the heat of cataclysm, will polish our bones

with their tiny, patient mandibles, will lay their eggs

in our shirt pockets and empty hats. There will be

no great cockroach takeover,

no post-apocalyptic ascension to superiority—

they will always just be, chitinous wings fluttering,

scurrying, squeaking in the dark.

Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).


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I Will Not Be – Holly Day

An Afternote to a Book Without Us

Hand in hand, fingers turn to claws and I

still know you inside that mask of anger, I

can still see the person I will always fall

in love with behind those bright eyes,

am I going to die tonight? I wonder.

Walk with me softly past the corner

where we first kissed. Here, under the street lamp,

the exact spot where you said you loved me

over and over again, do you remember?

I do. I do. This is us, so many years later,

and there is only ice when we speak,

but do you remember? I wonder.

Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).




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Another Woman Talking to Herself – Holly Day

This is the first of three poems by Holly that we will be posting, which should be the last three pieces we share with you all this spring. Our print issue is currently in the process of being approved, and it will be available to all of you very soon! Keep an eye out for any further announcements on that front. Without further ado, here is “Another Woman Talking to Herself.” Enjoy.

Another Woman Talking to Herself

Overcome with regret, she cradles him in her arms

before reluctantly devouring his headless corpse. Later, she will lay

a clutch of white, oval eggs, knowing

her daughters will eat her sons someday.

The mantis has no voice for her sorrow, her grief at the loss

of her brief love affair. The crickets take up her song instead

a chorus of chirps that fills the night with shadows.

Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).

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The Dreaded Blues – Fabrice Poussin

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.

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I Saw Her – Fabrice Poussin

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.

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Secrets – Fabrice Poussin

This is one of three photos we accepted from Fabrice – all perfect for this time of year, as more and more flowers bloom in the early onslaught of warm weather. Enjoy.

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.

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Wrinkles – Fabrice Poussin

Wrinkles

The boy looked at his hands.

Something had changed.

Now he saw two useless wrinkly palms

speckled with spots he once had spied

upon the leathery flesh of an ancestor.

Child still, he caught the shine of a wheel

attempting to roll forward

upon a sterile floor of bland linoleum,

inhaling a perfume now too familiar:

like ether, chlorine, and formaldehyde.

Teenager, he noticed his chest heaving,

a throbbing near the surface of a blueish river.

In awe at the sight of a life that refuses to give up.

Thoughts slowed to ponder the moment.

Seconds seemed like hours in this padded box.

Young hunter, he could still feel those legs

resembling a mummy’s shrunken flesh,

swimming within the sweet memories

of a chase against the hare, determined to survive,

and the sweet taste of the gamy flesh upon his heart.

Unable to lift those arms, once so potent,

the green of his eyes fades into a gauze,

letting the old soul drift into slumber at last.

Newborn blinded by the lights of another sun, he continues to write his own intimate history.

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.

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Stellar Friends – Fabrice Poussin

Stellar Friends

Afraid to look back, hiding the secrets of her intimacy,

he can only shed light on the truths revealed to all.

Shy to the present, she reveals all to eternity.

Her vulnerable past shelters her in false security.

She fears little, gliding in the heights of the stratosphere.

Her coyness may be the only armor she requires,

surrounded by the icy embrace of darkest depths,

her dreams of a star she keeps a secret.

A gentle glow vibrates at the center of her gravity,

the pulse growing to unimaginable breadth.

She may conquer the neighboring galaxies

as she escapes from the dangers below.

Her future will be safe as she continues to ascend,

faithful to the distant moon, worshipped by the sun.

I will follow her luminous shadow at a distance 

to protect the passion, sole source of her being.

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.


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She Dreams – Fabrice Poussin

This poem of Fabrice’s details an endearing, introspective moment, which is a focal point, it seems, of all three works we’ve chosen to share from him.

After Fabrice’s pieces, we will be doing one last comb-through for any remaining pieces in our inbox, so if you are awaiting a decision on something, it’s likely you’ll hear about it soon. Also, keep an eye out for an announcement on our print issue going live, which should be coming soon.

Without further ado, “She Dreams.” Enjoy.

She Dreams

Little hands on the firm knees of enduring love,

she pauses her spirit on the promise of the new dawn.

Looking in the distance, the ruby lips smile again,

sighting a friend chasing the ball in the mist.

There will be no school for her, free she is yet,

her cheek warm against the cozy lap of a mother.

Soon she will join in the plays of another every day,

but for now, she listens to the hearty pulse beneath her ear.

Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, San Pedro River Review, and other publications.