His Forgotten Memories by James G. Piatt

“Oh, there are moments in men’s mortal years
when for an instant that which has lain beyond our
drenches on a sudden found in things of smallest
compass, and we hold the unbounded shut in one
small space, and worlds within the hollow of our hand...”

Henry Bernard Carpenter

The man watched orange-hued winter leaves
floating in the unsettled wind. It was that
time of year when the leaves, trying fright-
fully to exist, like elderly men like him,
hung desperately to gnarled limbs, or high-
way signs.

In his youth, he breathed the sweet perfumed
fragrance of tender years and wildflowers
and listened to songbirds singing, they being
freed from servile hands of coldness and
discontentment like old men.

But in these wounded hours of another cold
winter, he found himself bound to the sight
of falling stars and the devil’s icy hands that
turned meadows into an icy grayish-white,
like the wings of fallen angels.

His mind contained memories of those
things, of which some speak and others
speak not, and others see, and some see not,
opening up the depths of his loneliness. The
hollow echoing of his lonely mind, which he
alone had to bear, weighed heavily upon the
dark hours and brought him dreams of death.

His withered doubts merged with the
season’s coldness, descending into the
senselessness of the icy season’s mono-logue,
confusing his mind and causing it to dwell
on the melancholy of the cold season.

He saw broken hours filled with forgotten
memories scattered in obscurity, and his
crumpled thoughts failed to recognize the
essence of his reality.

He was lost in murmuring heartbeats and
retched sounds of his withering thoughts,
which those in the public world, and philos-
ophers pretended not to recognize, but it
didn’t matter, not anymore, anyway.

His aging mind was suddenly distracted with
feelings of winter’s sorrows. A raven, shin-
ing in its ebony blackness, had no address,
due to the darkness of the night. It flew
away, leaving even darker thoughts in the wind,
and his mind.

Cold fears crawled across his mind, search-
ing for places that contained warm memo-
ries. All the small unimportant things in his
life reverberated inside his brain, causing an
eerie melancholy. Then, an image of an
abandoned cemetery emerged in his mind,
and he saw his name etched on the broken
face of a tombstone. He saw a ghost atop his
tombstone dancing on his forgotten memo-
ries, and he wept.

James, a retired professor and octogenarian, lives in Santa Ynez, California, USA, with his wife Sandy and a super-intelligent Aussie dog named Scout. He has had five collections of poetry published: The Silent Pond, Ancient Rhythms, LIGHT, Solace Between the Lines, and Serenity, and over 1825 individual poems, 40 short stories, and five novels in scores of national and international literary publications. He earned his doctorate from BYU and his BS and MA from California State Polytechnic University, SLO. He was nominated twice for the Best of The Net award and four times for the Pushcart award. 

Butterfly by Sarah Agagu

Once upon a dream, I knew four boys.
Night after night, dreaming and promises of the future,
The world could not disobey. Drawing our own universe,
as we said it, so it was. Amen!

Laughing across tarred paths and crumbling shades,
walking with the swagger of the greats and sure.
Knowledge was our weapon, success our inevitable inheritance.
Five dreams, one comet disguised as star.

House visits in penthouse, drivers of speed cars and economy,
Truthful commands; World domination; Our mortality overcome;
Eternal dreams and glorious future; Taste of wine and fame and glitter;
Forever written on the sands of time. Till death.

The truth shall remain, only four could be gods.
Untransformed mortal; Petty grudges torn asunder.
I wasn’t meant to be; Cry and watch four caterpillars unfold.
Once upon a dream, I was going to be a butterfly.

Only the halls and winds remember, five dreamers held court
that dark night of 2016 May. Four boys; four stars.
One girl, woman after all. Once upon a dream:
Starry eyed; hopes filled; forever young; golden butterfly.

Sarah Agagu is a Nigerian story teller and freelance writer. Her works have graced the pages of the Ink Wellness publication and her short story ‘A Girl Called Florence’ can be found on Amazon. As a freelance writer, she specializes in crafting high-quality SEO content for wellness brands. She is also a law graduate, proud Swiftie and a Wattpad addict. Connect with her on LinkedIn, Instagram, and Twitter (@SarahAgagu) for updates and stories on her latest musings and ideas.

You by Isabella Early

If I were to show it, you’d think I was blind
But you’d never tell me, for you are too kind
I’ll publish my work and I’ll cringe with fear
Only to discover we share the same mind

Days will pass by before I will hear
How pleasant you are when you’re with your peers
I’ll brush off these comments and go on with my day
But I achingly admire you, and that fact is clear

The next time I see you, I’ll be sure to pray
For a smile or nod, or even a “hey!”
You will return the favor, and I’ll see it as my “prize”
I shove it aside, the way I lead myself astray

I love you, I adore you, I relish in your eyes
My devotion to you is endless, like the stars in the skies
Her mention of your name has me pacing the floor
She should’ve known better, any other lover dies

Isabella is an undergraduate student who lives in Hagerstown, Maryland. Currently, she has no professional experience with writing. She is an emerging writer currently attending Hagerstown Community College.

(Avoiding) Conversations with My Room by Sulayman Saye

i allowed myself to latch on
to the cobwebs
at the corners of the room.
i felt them, string after string, break from under me
like they knew my pain but couldn’t carry it too long.

as they came crashing down,
i swirled in the monotone verse of the ceiling fan
and became its mockingbird.
together we composed a tune
that could cast a restless monkey into the spell of meditation.
inseparable from the background.

i wasn’t even a fly on the wall
but a chameleon.
when i became too visible
i’d fold into the pages of books
on the desk
and become their words;
begging not to be read.

i pulled at the frisks of my hair to even them out
only finding that I made my scalp bleed.
i soaked and dissolved into my own sweat
evaporating into nothingness.

i put a cloak over my shame
and held my breath
praying that i wouldn’t exude any form of life
whenever the room talked about you.

Sulayman Saye is a Gambian writer (and poet?). He works as a screenwriter for Studio 71, a production company based in The Gambia. His work has been published in Kalahari Review.

Thou Fount by Savannah Cooper

Oh, to be gently
cursed,
to stumble from sleep
find all the day shifting
just to the left, tilted sky,
lavender clouds.

Some
unseen witch presses
a finger to my brow
turns my attention closer,
away from pocked gray
moon & stars, nearer now
to earth & dirt.

Maybe
I’ll make friends with worms
before they grow closer
acquainted with my remains,
learn the tune
of birds who will sing my last
fraught lullaby.

Even then, I think,
I’ll still be humming hymns,
lyrics divorced from meaning,
thou fount of every blessing
just the way the world looks
from a certain angle, worship
of rock & twig.

Savannah Cooper (she/her) is a Pushcart Prize nominated poet. Her work has been previously published more than 30 journals, including Parentheses Journal, Midwestern Gothic, and Mud Season Review.

Maybe So by Nevaeh S. Taylor

Home.
So warm and sweet like ginger tea on a Sunday morning.
Little ones giggling about absurd things, as they should be.
The world no longer a drab, but rather vibrant and brilliant;
I wonder if this is how dogs experience colorblindness.
The opponent was no longer a rival, but a friend;
Makes me wonder who the true enemy is.
Everyone spoke so softly that it felt like clouds were brushing
against my ears.
The absence of strife seemed somewhat strange...
This is not home.

Home is like unsweetened chocolate and high expectations,
It’s sour and harsh.
It’s as sharp and piercing as the leading edge of grass.
With arguments starting just to simply be involved in something.
Grey and thick air; maybe that’s why it’s hard to take a deep breath.
No reason for the enemy to be the enemy.
I guess it’s just inherited.

Why is this home?
When everything about it seems more like a nightmare than a dream,
How can this be the place I call home?

My eyes were struck by light as the sun struggled to peek through
the drapes.
I cracked them open, and I smiled.
Knowing that type of tenderness must be true even in a world
like mine.
Considering that it is impossible to appear to know something
that does not exist.
Perhaps it wasn’t a dream or a nightmare;
It was hope.

The Birds by Benjamin Harnett

We caught the end of the movie on the hotel cable
in Missouri somewhere, after we’d overdosed on edibles
(take half, the guy said, but he meant half a dose
not half the gummy—well) I fell into it first,
a great roaring, a splitting of time and sense,
its finale was interminable, and deep,
and I felt it might never end.

Home, from the trip, metaphoric and literal,
I observe that the character of the birds
at our feeders has changed
since Summer ended. Gone
are the rows of dainty sparrows
waiting their turn,
the plethora of different finches,
no more starlings and cow-birds, all fled,
grosbeaks, and woodpeckers,

replaced by sublimely lovely titmice,
with their ombre bodies and dark eyes,
many chickadees, who mince about,
or bluster all puffed up,
until the Jays storm in. God
how these latter loom larger in inches
than I ever remembered,

(they’re corvids did you know!)
and strut about with affected
menace, angry. I should like to be a bird

or at least a poet, one day,
if only out of penance.

Benjamin Harnett is a poet, fiction writer, historian, and digital engineer. His poetry has appeared recently in Poet Lore, Saranac Review, ENTROPY, and the Evansville Review. He is the author of the novel THE HAPPY VALLEY and the short story collection GIGANTIC. He lives in Cherry Valley, NY with his wife Toni and their collection of eccentric pets. He works for The New York Times.

Button Woman by Clare Woodring

Push me down.
Press me small.
Thread your needle through me.
I don’t mind--it doesn’t hurt.
Just please, don’t sever our strand.
I will grasp onto your loose strings.
Attach me to your favorite sweater.
That way I can be with you always.
Tie the knot.
I promise to keep you snug and warm.
You tell me you have outgrown me.
You scold me for being so constricting.
I thought you loved this sweater before.
You cut me off.
No scissors, blade, or seam ripper can hurt me.
Not as much as you.
But in your sewing kit, I will wait.
Once you are bored with your new project.
You may seek to thread your needle through me.
And we can try again.

Clare Woodring is an eighteen-year-old writer from Boonsboro, Maryland. She is attending Hagerstown Community College, where she is taking a writing class elective as she completes her degree.

River Sprites by Michael Theroux

Fingertips of trees caress the river’s skin
Leaves on the water slowly, slowly spinning
River claims this harvest year out, year in
Forest’s fallen glory, fall’s golden winnings

We go to the river to sit in quiet wonder
To watch the leaf rafts follow one another
Wait upon the setting sun, whose
Slanting rays are the caress of a lover

Remain so still, breathe slowly
Suspend motion, watch closely
There is Magic here, light and fragile
Something shines, something sparkles

The very Aire seems thick

Should we be so blessed
To witness these misty creatures
Riding their sun-splashed spin-craft
Dancing to the river’s rhythms …

Perfect, centered meditation
Will not avail the soul of Man, as
The bliss glimpsed in this moment
Still, calm crystalline

The pools of our Lifesong
Flow deep within our being
Below our darkest fears
Above our brightest joys

A memory, settling, imbedded
Speaking of grand antiquity
Lilting from halls so long forgotten
Only Pan still plays the fanfare

Ah! Now rise, and lead a pure new life
Carrying within you, a precious treasure
None may steal, few even guess
An essence nuanced so deep within

There’s one more thing: a fee
Due, before your dying
To set you indentured soul free
To also dance upon these waters

Take heart! There is a greater a gift
Than even this, that I have now given
For with the treasure’s soul claim
Comes the very gift to free you

Just once, in one special moment
Of golden sunset on still dark waters
In late autumn, leaves a-floating
Bring one fresh soul to the river

To calm them, to heal them
Of wounds of their barbed path
Speak gently, mover slowly
Then, nodding to the River

Feign sleep, breathe gently
Teacher, with all your skill
Guide one soul to knowledge
Of Pan’s most gentle dancer

Ballerina, on stage of alder
Sent to spin upon the water
A twist of mist, a sparkle
A high note in the river’s laughter

Spirit or sprite, water nymph
It matters not to name her
Better to wait in breathless delight
As the light ripples around her

There! That’s payment in full
But understand, that in this moment
In this giving so gently shared
I freely give my dearest treasure

In years to come, Chaos will scream
Stars collide crashing around you
You will walk in peace, depth of soul
Shining love from this, that charms you

Giving, you release that so closely held
To one new soul, then awakening
This requires strength beyond belief
Once given, cannot be retaken

You will learn, as I
The Sprite’s most Magic measure
The greater joy of letting go
Of your soul’s most guarded treasure

Michael Theroux writes from his home in Northern California. His career has spanned botanist, environmental health specialist, green energy developer and resource recovery web site editor. Entering the public-side of the creative writing field late in life, at 73, Michael is now seeking publication of his cache of art writings which may be found, or will soon be seen, in Down in the Dirt, Ariel Chart, 50WS, CafeLit, Poetry Pacific, Last Leaves, Backwards Trajectory, Small Wonders, Academy of the Heart and Mind, Preservation Foundation / Storyhouse, Cerasus, The Acedian Review, the Lothlorien Poetry, City Key, Wild Word, and Fixator Press.

Why Not Like Mummies? by Sharon Kennedy-Nolle

To go down tightly bound
to a stiffened history, a scrolled truth
of seeped ochre, carmen resin
oozed through tunic threads stuck to skin, papyrus crisped,
and tight henna curls tattooed across a leathery scalp,
stenciled gold about the centuried bone specimen…

Deliberate calm prevails in the excavated air
among the compact sarcophagi cache
of cats, crow, a gazelle

all necks wrung, club bound,
and a hundred servants subdued
to do each day’s bidding in faience blue;
spotlight on the offal pickled in canopic jars,
tidied jackal, blanched baboon stare
a moon-bleak answer back,
blanking out the last breath.

Not this frass haven you haunt.

Not this Medusa mess left of us.

A graduate of Vassar College, Sharon Kennedy-Nolle received an MFA from the Writers’ Workshop as well as a doctoral degree in nineteenth-century American literature from the University of Iowa. She also holds MAs from the Writing Seminars at Johns Hopkins University and New York University. In addition to scholarly publications, her poetry has appeared in many journals. Chosen as the 2020 Chapbook Editor’s Pick by Variant Literature Press, Black Wick: Selected Elegies was published in 2021. Kennedy-Nolle was winner of the New Ohio Review’s 2021 creative writing contest. In 2023 her manuscript Not Waving was a semi-finalist for the Two Sylvias Press Wilder Prize, University of Wisconsin Poetry Series’ Brittingham, and Felix Pollak Prizes, and the Brick Road Poetry Contest. Not Waving has been named a finalist for the Laura Boss Narrative Poetry Award. Recently appointed the Poet Laureate of Sullivan County for 2022-2024, she lives and teaches in New York. Kennedy-Nolle has been awarded a Poet Laureate Fellowship for 2023-2024 from the Academy of American Poets.