Author: The Editors

Paying the Rent Christine Heuner

Paying the Rent Christine Heuner

The first guy I meet on the app calls himself Stuart. He picks me up at the apartment I share with two other girls, one of them Ellie who told me about the app. 

“Guys over forty buy you anything,” she said, showing me her new Coach bag, pink with gold accents. Five hundred dollars. If I got a bag like that, I’d return it, but Ellie holds it close like a pet. 

Stuart drives a black Mercedes as sleek as his slicked-back hair. He wears a lavender collared shirt tucked into belted tan slacks. Loafers. Corporate casual. 

In the spotless car, he asks, “So, Pammy, what do you do?”

I go by Pam, but Ellie said Pammy sounds more innocent. Cute. 

At first I think he’s asking about sex. How far will I go?

I must look confused because he adds, “For work. What do you do for work?”

“I work at a law firm on asbestos cases. Mostly filing and depo indexes.” 

“Asbestos cases? I thought that was a mid-nineties thing.” 

I shrug. “It pays the rent.” 

Actually, I’m proud of my job. I’m twenty-two; it’s my first big-girl job. Everyone, even Steve, a partner with a corner office overlooking Biscayne Bay from floor thirty-one at Biscayne Tower, greets me each morning: “Hello, Pamela,” he says, his voice professorial, exacting.

At The Outback, Stuart orders a Bloomin’ Onion, a surprise given it’s greasy and he seems too fit to truck with junk food. He eats slowly, wiping his fingers on the napkin, not licking them like Roger, my ex would do. I follow Stuart’s lead. I don’t double-dip.

Just as I think of Roger, who did not mind my double-dipping, I get a text from him: How are you? Missing you. 

Though we’ve been apart for months, he checks up on me at least once a week. I imagine he can see me here with Stuart. He’d ask what the fuck I’m doing. 

I put my phone back in my purse. 

While we wait for dinner (I order filet mignon), I lean my elbows on the table and clasp my hands. 

Stuart touches my hand, unwraps it with his fingers and clasps it, leans forward as if he’s going to kiss my knuckles. 

“Pammy,” he says as if he’s trying to soothe me. “You have beautiful hands.” 

My scalp prickles, and I suddenly feel hot beneath my armpits, as if he’s told me I have great tits and ass. 

He holds my hand until the food arrives. I eat like I mean business (I skipped lunch); he’s impressed. 

In his car, he puts his hand on my leg, leans toward me. We kiss. His tongue slides in my mouth. I can smell his woodsy aftershave or body spray. I put my hand on his smooth cheek, so much softer than Roger’s stubble, and let him move his hand under my skirt. I should have worn jeans, but Ellie insisted upon the skirt. 

You could say I knew what would happen to me here. Ellie told me at the kitchen table, where we sat across from each other, that you have to put out for these men. 

“It’s part of the deal,” she said. “But it’s not so bad. Last night, I had lobster.” 

It’s important to add: We barely make rent each month. Meat is a luxury. We box-dye our hair, give each other manicures, eat peanut butter from the jar. 

Stuart’s hand goes into my underwear. His fingers are warm. I flinch. 

“You okay?” he asks. “Too fast?”

I shake my head, knowing I owe him for the meal, for this escape from the fear I might be homeless someday, like those people crouched like fixtures along the buildings in downtown Miami. I see them during lunch when I take a walk and eat my peanut-butter-and-jelly sandwich. I avoid the staff cafeteria so no one will see me eat. 

Stuart moves my hand on his crotch. 

“Let’s go somewhere,” I say, surprising myself. “Not here.” 

We wind up at a Sheraton downtown, only blocks from where I work. 

The room is on the third floor. For some reason, he wants to take the stairs. He holds my hand as if I’m a child who will trip and fall. 

In the room that smells as sterile as a hospital, he unbuckles his belt, comes toward me, calling me “girl,” and I realize I think of myself this way: young, as innocent as Ellie told me to be. 

“I’m not a whore,” I tell him as he pulls down my skirt. 

His brow wrinkles. “Of course you’re not,” he says. “You’re special.” 

I should think of Roger, who was always gentle with me—so gentle—for those two years in college. Instead, I think of my mother, who still begs me to move back home (Ohio), where we have a cleaning lady every other week and get take-out three times a week. My second-floor bedroom overlooks our pool with a slide and a deep end. 

I won’t tell her that I can’t bear to face my friends, the college grads. I dropped out after two years. Dad expected all A’s and B’s, and I was tired of proving myself.

I feel like I’m proving myself here to this man who could be my father. I’m not a whore, but a lady. Not a child, yet my skin crawls with shame as it did when I stole my mother’s tennis bracelet.  

We’re in bed when my phone dings. No doubt it’s Roger, checking on me, missing me, or my mother, urging me back home.

Author Bio- Christine Heuner has been teaching high school English in New Jersey for over two decades. Her work has appeared in Narrative, Flash Fiction Magazine, Philadelphia Stories, and others. It is available to read on her website at christineheuner.com.

I guess I’ll go to Hell if I have to- Gale Acuff

I guess I’ll go to Hell if I have to- Gale Acuff

I tell my Sunday School teacher after
class this morning, she tossed me for chewing
gum and blowing bubbles out of it which
isn’t easy to do, it’s not bubble
gum and the bubbles I blow, I blow small
but it was the best I could do and why
couldn’t she see that but she said she saw
and that my skill was not in question, just
my seriousness about religion
–there’s a time and place for everything, which
I guess is true and I don’t want to die
and go to Hell and then have the Devil
laugh at me for being stupid and yet
talented. God would say the same damn thing.

Gale Acuff has had poetry published in Ascent, Reed, Poet Lore, Chiron ReviewCardiff Review, Poem, Adirondack Review, Florida ReviewSlantNeboArkansas Review, South Dakota ReviewRoanoke Review and many other journals in a dozen countries. He has authored three books of poetry: Buffalo Nickel, The Weight of the World, and The Story of My Lives. Gale has taught university English courses in the US, China, and Palestine.

How the Invisible Go Blind -Robert S. King

How the Invisible Go Blind -Robert S. King

If I am not seen,
I also cannot see
myself and all the bright lights,
the stars my dark fingers long
to reach and might snuff out
one by one until everyone is blind.

Invisible, untouchable,
I take care not to touch,
not to change the world
as it has changed me.



Robert S. King lives in Athens, GA, where he serves on the board of FutureCycle Press. His poems have appeared in hundreds of magazines, including Atlanta Review, California Quarterly, Chariton Review, Hollins Critic, Kenyon Review, Main Street Rag, Midwest Quarterly, Negative Capability, Southern Poetry Review, and Spoon River Poetry Review. He has published eight poetry collections, most recently Diary of the Last Person on Earth (Sybaritic Press 2014), Developing a Photograph of God (Glass Lyre Press, 2014), and Messages from Multiverses (Duck Lake Books, 2020) His personal website is www.robertsking.info.

XIUHTECUHTLI

XIUHTECUHTLI

I want to be somewhere
where the ground is green
and black and orange
and swells and ebbs
like an ocean of dirt.

I want to found
a retirement village
on an island of the black
amidst the green and orange
so we can sit and watch
the sunset be indistinguishable
from the ground.

I want us all to take up metalcraft
and sit on our porches and make
jewelry with the fire in the ground
and the fire in the air and the fire
in the oven and the fire in our blood.

I want us to forget what we know
and only use what we learn anew.

Robert Beveridge (he/him) makes noise (xterminal.bandcamp.com) and writes poetry in Akron, OH. Recent/upcoming appearances in Stone of Madness, Thirteen Myna Birds, and Caustic Frolic, among others.

The problem with Villanelles by Zebulon Huset

The problem with Villanelles by Zebulon Huset

The problem with Villanelles

is the repetition of sound,
like alarm clock beeps—
depressing, as the day’s crowned

with sounds bound
to meanings that repeat
the repetition of sounds’

redundant mound
of blah-blah-blah-bleep!
Depressing, as the day’s crowned

with less and less profound
combinations, as linguistics seep
from the repetition of sounds

we’ve come to frown
upon as the daily grind, the common, cheap
and depressing as days crowned

with sameness. The villanelle’s fault is it rounds
up meanings and sounds, familiar as life’s retreat
into the repetition of sounds,
depressing as the day’s crown.

Author Bio
Zebulon Huset is a teacher, writer and photographer living in San Diego. He won the Gulf Stream 2020 Summer Poetry Contest and his writing has appeared in Meridian, The Southern Review, Fence, Atlanta Review & Texas Review among others. He publishes the writing blog Notebooking Daily, edits the journals Coastal Shelf and Sparked, and recommends literary journals at TheSubmissionWizard.com.

It’s Official: Hedge Apple 2020 is Live!

It’s Official: Hedge Apple 2020 is Live!

If you chose to peruse the pages of Amazon whilst in search of new reading material, and then decided to enter in the search bar, “Hedge Apple Magazine,” it is entirely possible that our Spring 2020 issue would come up. That’s right, folks – it’s live!

I want to once again thank everyone who submitted their work this spring, especially those whose pieces made our print issue possible. This was not my first time as an editor, but it was by far my most integrated and expansive experience with the position thus far, and that has a lot to do with the submissions we received, all of which were special and enlightening in some way.

So give yourselves a pat on the back – we have all created something wonderful here (and in the time of a pandemic, no less)!

Thank you for everything, and may summer treat you well.

Sincerely,

Lucy Kiefert, Spring 2020 Editor – signing off

An Afternote to a Book Without Us – Holly Day

An Afternote to a Book Without Us – Holly Day

An Afternote to a Book Without Us

Cockroaches raced along the ground here long before

there were dark alleys and rancid dumpsters,

truck drivers and greasy spoon diners, old hamburger wrappers

to curl up inside. Before we were here, cockroaches

scuttled in the nests of dinosaurs, fed on the sticky albumin

of newly-hatched eggs, dug tunnels in massive piles of fecal matter,

were old even then. They lived through

the asteroids, the second and third great extinctions,

left petrified footprints in the mud

alongside our first bipedal ancestors.

They will be here to see the last flower of humanity

wilt in the heat of cataclysm, will polish our bones

with their tiny, patient mandibles, will lay their eggs

in our shirt pockets and empty hats. There will be

no great cockroach takeover,

no post-apocalyptic ascension to superiority—

they will always just be, chitinous wings fluttering,

scurrying, squeaking in the dark.


Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).


I Will Not Be – Holly Day

I Will Not Be – Holly Day

An Afternote to a Book Without Us

Hand in hand, fingers turn to claws and I

still know you inside that mask of anger, I

can still see the person I will always fall

in love with behind those bright eyes,

am I going to die tonight? I wonder.

Walk with me softly past the corner

where we first kissed. Here, under the street lamp,

the exact spot where you said you loved me

over and over again, do you remember?

I do. I do. This is us, so many years later,

and there is only ice when we speak,

but do you remember? I wonder.


Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).




Another Woman Talking to Herself – Holly Day

Another Woman Talking to Herself – Holly Day

This is the first of three poems by Holly that we will be posting, which should be the last three pieces we share with you all this spring. Our print issue is currently in the process of being approved, and it will be available to all of you very soon! Keep an eye out for any further announcements on that front. Without further ado, here is “Another Woman Talking to Herself.” Enjoy.

Another Woman Talking to Herself

Overcome with regret, she cradles him in her arms

before reluctantly devouring his headless corpse. Later, she will lay

a clutch of white, oval eggs, knowing

her daughters will eat her sons someday.

The mantis has no voice for her sorrow, her grief at the loss

of her brief love affair. The crickets take up her song instead

a chorus of chirps that fills the night with shadows.


Holly Day’s poetry has recently appeared in Asimov’s Science Fiction, Grain, and Harvard Review. Her newest poetry collections are Where We Went Wrong (Clare Songbirds Publishing), Into the Cracks (Golden Antelope Press), Cross Referencing a Book of Summer (Silver Bow Publishing), and The Tooth is the Largest Organ in the Human Body (Anaphora Literary Press).