WINNER for Halloween poetry: “All Hallows’ Eve” by Debra Wagner

Hearken mortals and beware!
This tale of truth, I’ll but once share…

Knock. Knock. Knock.
Our featherweight fists strike the cold, iron door
of the ancient mausoleum; which we tremble before.

A mossy handle struggles, groans; then slowly wriggles, left and right.
Rust sprinkles down upon our feet. A chill runs through us. It’s midnight!

A somber, mumbled “Trick…or…Treat?” escapes the weathered tomb.
We three young fools, with heady plans, are unwise to pending doom.

From deep within the death-black crypt, two bony limbs emerge
baring earthly treats, so tempting; we cannot quell our urge.

My friends push past me, rashly; rush into the murky vault,
and blindly reach toward their reward. Please heed my cries of “Halt!”

* * * * * * * * * * * *

Shrinks from the State decided my fate, seventy years ago.
The staff says I, sometimes, sleep soundly now;
Not screaming, in horror, their names; full of woe.

My less-fleet-of-foot, ill-fated friends were most dear;
Yet, their grave memory lingers; still grips me with fear.

Wailing shrieks sear my ears as their restless souls near;
Haunting my dreams, on All Hallows’ Eve…every year!

Debra Wagner is a fledgling poet, who recently leapt from the comfort and privacy of the nest, to feel the thrill of the winds beneath her newfound wings.

WINNER for Halloween Art: Alyssa Neff’s “Bright”

Alyssa Neff is an HCC graphic design alumni currently attending Rochester Institute of Technology for a B.A. in Visual Media. As a photographer and artist, she has been published in Digital Camera World, Hedge Apple Magazine, Draft Magazine, Signatures Literary and Art Magazine, and Reporter Magazine. She has had many gallery appearances, including repeated showings at the Washington County Arts Council and Wilson College, along with a semi-permanent photo display in “Faces of Hagerstown.” She works as the Chief Photo Editor at Reporter Magazine, dabbling in photojournalism and news-based design. She spends a lot of her free time with her English Bull Terrier, Kieran, who is still learning how to sit still as a subject for her new film camera obsession. 

WINNER for Halloween Fiction and First Runner-Up for Art: Naomi Sheely’s “Another Old Carny Ride”

I nodded absently, barely aware of the tiny fingers squeezing mine. One of his chubby hands pointed eagerly to a set of bright balloons as the other continued to tug for my attention. When he stilled, I knew the short smile I had given him looked as fake as it felt. I tried again, not wanting him to pick up on the thick sense of wrongness that clung to the air. When his little shoulders eased, I looked to the usual glaring lights and colorful decorations of the Founder’s Fair. They were all the same, scuffed and slightly tattered from the year before. Just moments ago a lively band had played from the back of the stage and children darted about, laughing and dancing as their excitement for the holiday grew. Yet somehow the Founder’s Fair seemed less festive than I remembered.

Even the sight of the vendor tents, once my favorite part of the festival, now left an unsettled feeling deep in the pits of my stomach. Volunteers moved in hushed tones as they prepared the grills and stoked the fires, their faces shadowed by flickering light, while Gwen’s voice echoed across the crowd. “-as the founders intended!” She paused, waiting for the crowd’s cheers to calm before continuing. “Without further ado, let’s call the first riders of the season up!”

I watched as her heels clicked across the stage, each step sharp and deliberate. Her vintage pencil skirt and matching jacket clung to her frame, a homage to our colony’s first holiday, back when the world still reeked, air thick with the fumes of the last world war. Her jacket rippled as she reached for the antique, rusted cage, spinning it slowly. The cage groaned, filled with small, brittle plastic balls, each yellowed and worn, stamped with a number whose ink was faded and barely visible.

If the museum was to be believed, they were a relic from a time before the war. They been used for a simple, useless game where those same numbers were called, for the elderly to scratch them off made up lists, their prize nothing more than worthless trinkets. I had rolled my eyes at that exhibit, the idea of having the luxury to be rewarded for nothing was ridiculous. It’s a miracle that those that survived the blasts were strong enough rebuild. Real work mattered, everyone here knew the aches and pains of a long day in the fields or worse—a night at the lab.

I glanced down at my newly bandaged arm, wincing at the fresh blood beginning to seep through the copper-colored cloth. Another stain that the doctors wouldn’t spend the time to scrub out before passing onto the next patient. I repressed the shudder that tried to work its way up my spine, my shift had ended at dawn. I could mark another day of Radiation Experiments behind me and take some peace in the fact that it would be months before I was scheduled again. I tried not to complain. It was work everyone took turns to do.

Well, almost everyone.

My eyes drifted back to the stage just as Gwen drew the second number. The first rider was already seated, his mother fumbling nervously with the buckle before lowering the lap bar.

“G 56,” Gwen called, glancing at her assistant, an older woman wearing a shabby knockoff of her own outfit.

“Thomas Serigan, sector four,” the assistant replied, her voice sounded flat, almost bored.

“Thomas Serigan,” Gwen repeated, her voice sticky with false warmth as it echoed over the crowd.

To my left, a woman led a small blonde boy forward. His face, confused at first, soon lit up with excitement as they neared the looming metal giant, its rusted frame painted over in bright, tacky hues. The towering contraption seemed to sag from the weight of hundreds of years of fairs. Countless patches and mends were not quite hidden under the newest coat of color, rust peeked out at its joints. Only the chains of the twenty hanging swings gleamed, as they were the only part that was painstakingly reworked each year.

The woman paused, tying a worn paddle ball to the lap restraint, her hands shaking slightly as she lifted the boy into the bright blue seat. The swing groaned softly a sound so familiar that I didn’t need to actually hear it over the crowd’s excited buzz.

I turned away as she kissed the top of his head. I couldn’t bear to watch. Instead, I focused on Gwen, her eyes gleaming as a new child began to move in the crowd—a girl who looked barely twelve.

The hollow clack of the balls rattled through the speakers, picked up by Gwen’s microphone. She turned another rider out, her own son sitting  next to her assistant, bored in his knowledge that he doesn’t have a number to be pulled, just as he would never carry the jagged scars that represent the community’s struggles. Ones paid in sweat, blood, and chunks of flesh freely given in the name of the colony in coldly sterile research labs. No, his fate was different. One day, his burden would be the decisions that kept most of New Virginia’s massive population alive.

“I 19!”

My breath caught. I didn’t need to look down at the small hand still clasped in mine. I knew that the number he was assigned, the one that was scribbled hastily in pen by a distracted volunteer as we walked through the gates this morning, would be staring back at me.

I don’t remember the walk to the old carny ride, we were just suddenly there.

I pulled him past each swing he reached for, my heart pounding. Finally, I found the one I wanted: lucky number thirteen, painted yellow this year.

I didn’t hesitate or linger. I just lifted the lap bar and placed my son into the seat. The buckles clicked easily, the bar lowering with a soft snap.  His favorite cloth bunny dangled from the side as I tied it in place, my fingers brushing against the stained and painted splattered strip of fabric my husband had tied there just a year ago, before his ride.

Then I walk away.

I didn’t look back. I ignored the frantic, confused cries from my little boy. Three years old was too young to understand, too young to find the excitement in sacrificing for the greater good.

I just…slipped through the crowd, my steps quick, my chest tight. I couldn’t stay to watch. The sight of his mangled body being dragged to the butcher’s tent would be too much. I had barely survived the taste of my husband’s perfectly seasoned flesh, and to endure the same with my darling Jimmy…

My stomach growled.

I pressed my hand to it, forcing the hunger away. Tomorrow, I would return to feast. I’d eat like I hadn’t eaten in weeks, smiling and thanking Gwen for balancing our population against our food stores, for ensuring we’d survive the winter.

Tonight, though, I just might let myself cry.

Naomi Sheely thrives somewhere in chaos and caffeine. This has led her to developing a slightly deranged imagination, a love for the written word, and a handful of short story publications. It has, somehow, also given her a steady and calm husband and two well-behaved dogs. Predictably, though, her three children are feral. 

Tied for First Runner-Up for Halloween Fiction: “Vampire” by Katie Licari

I could’ve left. He gave me the choice once he revealed who he was. A monster in most mythology; a warning for young girls to not stay out late. I could’ve left when I could only meet him in the dark and he wouldn’t tell me his age. After each question I’d prod for a number and he would laugh as if it was some inside joke. I could’ve left when it took him weeks to consider me as his girlfriend. Feelings can change so quickly, was his explanation, time morphs the soul. He managed to feel so removed from the present. I could’ve left, but I invited him in.

I could’ve left when I woke up to hovering fangs over my neck. There weren’t signs like Twilight. He wasn’t glittery or unrealistically cold–people gravitated in his orbit like it was out of their control. I could’ve left his hunger scared me, and he convinced me that it shouldn’t. My scent was irresistible and that was a compliment. I could’ve left when he pushed, even for a little nibble. It wouldn’t even hurt. I could’ve left instead of lying back down and hoping nothing else would happen through the night. I knew he wasn’t going to be sleeping, instead staring me down until I gave in. 

I could’ve left, but I accepted him. He said how it was never his choice, that this is the real him. It was never going away. I could’ve left when I asked about a cure, and he shot me down. He didn’t deny it was possible. I could’ve left when he kept begging for my blood. How cruel was I to not let him taste? I could’ve left before I gave in. He held me gently, though, and promised it was just a one-time agreement. I could’ve left after it made me dizzy for weeks and he denied the amount he took. Not more than a standard blood donation, he’d say. I could’ve left when it “needed” to happen more. His connections stopped coming or there wasn’t a spare bag at the hospital. I could’ve left, but he said it needed to be consensual. He couldn’t victimize someone; he’s not a monster. I could’ve left after the second bite and third and fourth and fifth and sixth and I can’t remember the number after that. 

I could’ve left when I could barely stand in my own house. The one I invited him in. Husk wasn’t even the right word–my body was mutating into a creature I didn’t recognize. I could’ve left when I begged him to complete the transformation. I was on the brink of decay, but he wouldn’t let me become him. I could’ve left when I pleaded why, and he said he couldn’t get my blood anymore. I could’ve left, but then I wouldn’t be his. 

I could’ve left and asked for help. Told my entire family about him. But would anyone believe he was a vampire? The man who charmingly shook my father’s hand and volunteered at the hospital? I could’ve left, but where would I go? The sun started to burn me easily. Food wouldn’t stay down, but I was insatiable. I could’ve left, but I hadn’t told anyone about my pain before. Would they think I made it up? I could’ve left, but my problem didn’t feel real. Does this happen to others?

I could’ve left, but he was nice–most of the time. I could’ve left, but he brought me antique gifts and guarded my home. I could’ve left, but he never hit me. I could’ve left, but I couldn’t describe him as abusive. I could’ve left, but I said yes to everything he asked. I could’ve left, but did I ever say no? I could’ve left, but I never tried. I could’ve left, but I invited him in. 

Katie Licari is a freshman at HCC and currently a general studies major. She enjoys arguing with her cat over treat quantities, looking at shiny rocks, and blasting Paramore in her car. Writing is less of a hobby, and more a demanding beast for her, but she loves all activities the same.

Tied for First Runner-Up for Halloween Fiction: “Knocking” by Mary McAllister

Majda lived down the street from her parents in a rowhouse fronted by the while marble steps that made her city famous.

Like everyone else on the street, she made the washing of those steps part of her daily chores.  And there were so many chores.  Every day she made the codfish cakes to sell at her husband’s bar, where the regulars in the neighborhood came to forget about the dust and grime they’d picked up alongside the little money they got paid at their jobs.

Majda also had to take care of her parents, older now but unwilling to accept the almost-daily indignities that came with old age.  She saw them every day when she’d clean their apartment, as her mother, Agnes, insisted upon absolute cleanliness.  Dusting, scrubbing the floors, these were daily chores according to Agnes, who felt that cleanliness was next to, well, if not godliness, then acceptance from those who made disparaging remarks about immigrants like her.  Or, she’d pick up their laundry or return the freshly pressed shirts and table linens on which her mother still insisted.  But, her father was bedridden and Majda couldn’t understand why he needed a fresh white shirt every day.  She would never put such a question directly to her father or her mother, though.  She loved and had a healthy fear of her father, and she knew she was his favorite, being the only girl among six boys.  She always tried to please him, and when he was well, he would often come to her house and they would commiserate about Agnes’ demands that would forever preclude her from being pleased.

Agnes would still address Majda in Polish when she visited, even though Agnes had been in America for 40 years.  No one had insisted that Agnes learn English, and she saw no reason to give up her native language along with everything else she’d sacrificed to come here.  And, until recently, her husband had provided well enough so that Agnes did not have to work outside the house.

Majda, though, worked all the time as there was always something to do and she was well-suited for hard work.  Her large frame was Clydesdale-sturdy and she pulled the weights assigned to her, both physical and emotional that came with her husband’s business and her home duties.

She grabbed a scarf from the hall coat rack and put it on her head and tied it securely under her chin.

‘I look like an old Polish lady,’ she thought, her plain coat buttoned tightly as it it could keep in her slightly spreading middle-age waist.

She locked the door and went down the steps to the front door.  She and her husband, Frederick, rented out the bottom floor of the house because, with no children, he couldn’t see any need for them to occupy the whole rowhouse, and the money from the rent came in handy.

Majda walked down to the end of the block to the house where they’d set up her parents so they’d be close and so Majda could look after them.

“Majda, your father’s restless today,” Agnes said in Polish, as Majda entered the small living room, carrying a wicker laundry basket.

“I’ll go talk to him.”

“See if he’ll tell you what’s wrong.  Or, maybe you can tell.”

“How would I be able to tell?” she asked her mother.  She wanted to say that Agnes knew what was wrong with her father.  He had dropsy and no one could determine the cause of such edema that made his legs like tree trunks.  But, she knew what Agnes meant.

Ever since she was a little girl, Majda could “see” things, things that hadn’t happened yet, things—and people—that were not strictly part of this world anymore.  Seeing the ghosts of people who had died did not scare Majda, but she felt somewhat embarrassed by it.  So, she mostly kept these things to herself because there was no point in scaring other people more than was necessary.

“You were born with a caul over your face,” Agnes told her so many times, explaining that it meant she had “second sight.”

Majda would have paid her no mind, dismissing such talk as old-world superstitions from Poland.  But, there were simply things she couldn’t explain and which had no rational explanation. She remembered almost every time something had tapped her on the shoulder from another world, another dimension perhaps.  Like the time she and her future husband were walking home from a dance and a gauze-like fog appeared in front of the rhododendron bushes.  Gradually, Majda could just make out her recently deceased nine-year-old niece, dressed in white and looking rather angelic, although the child was notoriously rebellious.  And an uncle had materialized at the foot of the bed and suddenly the bed sheets were whipped off and an icy breeze blew up in the room.  Majda had never liked this uncle and she wasn’t sad when he died.  She would tell Agnes sometimes of these things that had frightened her. But, most of the time, she tried not to think about them.  She didn’t want people to think she was odd or that she had any special talents.  Her father, though, would regard her thoughtfully when he heard about these incidents.  And he would say that she had something special, she was someone special.  But, Majda was careful to not tempt Agnes’ jealousy by dismissing any references to the relationship she had with her father.

“He won’t tell me any more than he does you.”

“Ach, you could try.”

“Alright, Ma, I’ll ask him.”

When she entered the bedroom, her father barely acknowledged her presence, his eyes closing after he’d looked toward her.  In the bed, he looked like a zombie from the waist down, his legs wrapped in bandages that made them appear too big for his body.

“How are you, Papa?”

No answer.  She turned to go after patting the quilt on his bed.  She closed the door quietly.

“Well?” said her mother.

“Well, nothing.  He didn’t even speak or know I was there.”

“He’s getting worse.  He’s hardly awake these days.  The doctor says it won’t be long.”

“Did he really say that, Ma?”

“Yes, yes.  Even with my poor English, I know what he meant.”

Majda was well aware of Agnes’ penchant for exaggeration, and the futility of arguing against it.  She also knew that Agnes’ understanding of English was far greater than she let on.  She scooped up the laundry basket, empty now since she’d put all the clean clothes away.

“I’ve got to go.  I’ll see you tomorrow.”

“If we’re still here.”

Majda waved her hand in a gesture that could have meant dismissal or resignation.

Back home, Majda busied herself with her own washing and ironing.  The afternoon moved on slowly as Majda pressed pillowcases, hypnotized by the thunk, thunk of the iron, until she realized with a start that it would soon be time to package up the codfish cakes for the bar and make something for herself and Frederick for dinner.

Between the thunk, thunks of the iron, though, she thought she heard another kind of thudding noise and put the iron on its stand to listen.  She stood still, not sure it was possible to hear what she thought she was hearing.

But, yes, there it was.  Thund, thund, thund.  Someone was coming up the narrow stairs to her door.  Someone with heavy footsteps.  It couldn’t be the tenants below as they were working and anyway, their step was light and quick when they paid the rent every month.

Suddenly, there was a knocking at the door.

Bang, bang, bang, an angry knocking that she thought might break the door down.

“I’m coming.  I’m coming.”

She unplugged the iron just to be sure.

She opened the door not knowing what to expect except someone who was mad about something.

Dead air greeted her and surprise grabbed the anger that she’d had ready to meet the too-loud visitor.

She looked down the stairs.  Empty.  She walked down the steps and out onto the street, looking up and down, and thinking that no one could have escaped so quickly between the time she opened the door and when she went down the street.

She shook her head and went back up the stairs to deal with the food preparations.  Still, she thought about what might’ve happened, what it could have been.  She couldn’t come up with any explanation.

The next day, when she went to her parents’ house, she was tempted to tell Agnes, but she hesitated.

“Go on in to see him,” her mother said.

She opened the bedroom door to find her father propped up against several pillows.  He was awake, Majda saw.

“Hi, Papa, you’re awake.”

But, in the look he gave her, she saw something like terrible reproach.

“The next time I come to see you, open the door for me.”  Then, he closed his eyes.

Majda stood there, her mouth open and her spine like jelly.  She thought immediately of the day before and the mysterious visitor who didn’t materialize.  She wanted to say that she had opened the door, but she couldn’t speak.  If it was her father who had come to see her, then she realized that his spirit was capable of moving, even if he wasn’t.  This was not something she had ever encountered and the knowledge made her body feel like it would not support her.  She wondered if the window that his spirit could claim was so slight, that she had missed the opportunity.  She backed out of the room.

“What’s wrong?  You look terrible. Is he worse?”  Agnes fretted that her interpretation of the doctor’s words had come true and her husband was gone.

“No, no, he’s fine.  But, he just said the strangest thing to me.  He hasn’t gone anywhere, has he?”

“Oh, don’t be crazy.  He can’t get out of that bed and you know it.  What do you mean by that?”

Majda told Agnes about what her father had said.  Agnes looked at her and took Majda’s hands in hers.

“Jesus, Blessed Mary, and Joseph.  How could that be?”

Majda’s father died the next day, without ever speaking another word.  But, in the years following her father’s death, Majda, long after both of her parents were gone, would often tell the story of how her father had somehow sent his spirit to visit her. She no longer saw strange things and she grew to miss it, and so enjoyed now telling the stories of the things that used to embarrass her.  Or, maybe it was that now, in her old age, she could claim her special relationship with her father without fear of angering Agnes.

Her family members rapt, and Majda no longer afraid of what they might think, would enjoy building up the suspense as she told it.  She always saved the story of her father for last, as, even all these years later, she could not explain how a living person’s spirit could move through a world so unporous in its dedication to facts.  As her many nieces and nephews gathered around her table (for she never had children of her own), she would caution them all.

“Remember, always answer a knock when you hear one, even if you think no one is there.”

Mary McAllister is a writer and a visual artist who keeps trying to retire, and yet, keeps working for no good reason.

Her essays and poetry have been published in Fathom, Lifespan, Gypsophila, Oddball, A.C. PAPA, and Of Poets and Poetry.  She has also produced a play.

In her professional life, Mary worked for more than 25 years for the Johns Hopkins University as a writer/editor and continues to work for freelance clients around the world. 

First Runner-Up for Halloween poetry: “The Changeling” by Tabatha Yeatts

Inspired by the Irish folktale “The Changeling,” collected by Lady Wilde (Oscar Wilde’s mother)

Fairies walk like the tinkle of wind chimes,
their wings guiding them through the world
like a hand on the back of a dancer,

so no human would expect a fairy’s baby to be ugly,
not that the humans had given a moment’s thought
to the fairy babies, far away under the hill,
when humans had their own concerns
and their own baby, so new and pink and tight and perfect,
sleeping quiet as a hiding hare,

silent, even when the strangers entered the cabin,
brazen as you please, and sat by the fire.
Once, twice, three times, the baby’s desperate mother
tried to send them away, but magic weighed her down
like a blanket, left her flush with angry sleep.

By the time she had come to herself,
her husband was chasing the crone away
and some other baby had his hairy knuckles
wrapped around the top of the wooden crib.

When he gave them a startling grin and held his arms up,
they screamed and sobbed, only too relieved to give him
to his mother-fairy when she came knocking.

If the exchange had gone differently,
if fairy babies were more sleek than unsightly,
would they have cocked their heads
and marveled that their baby was more beautiful
than they remembered,
bewildered,
but pleased?

Tabatha Yeatts is a poet, author, and blogger, as well as the editor of the popular IMPERFECT and IMPERFECT II anthologies for middle schoolers. Tabatha lives with her family in Maryland. https://www.tabatha-yeatts.com/

Second Runner-Up for Halloween Fiction: “The Shuffler” by Koren Cowgill

Thanksgiving approaches. You load decaying pumpkins on the wheelbarrow and push them to the end of the yard, then drop them over the fence. Animals might enjoy them as it grows colder when frosts harden the ground. The rustling sounds of their foraging comfort you as you continue to sleep off your loss.

Your lover and his wife, Penny, also lived on Bucktail Avenue, several three-acre lots down from yours. Penny shot him, right on their front lawn in the blaring, mid-afternoon sunshine. She confessed and went to prison, then killed herself. Don’t know how she did it. Their house has yet to sell.

You still sleep out on the deck bundled in blankets on the lounge. And you wait, listening for the whispery shuffling sound his feet made as he moved through the fallen leaves, remembering when the gate latch would open and close, the slight clanking in the quiet night. You’d make yourself wait for his tall, lanky form to step into the lantern light.

But Penny knew. She must’ve.

Now, years later, in in the middle of the night, the air below freezing, when skunks and opossums and raccoons slumber in their dens, the sound returns, the stealthy shuffling sound, emerging through the thick quiet, disturbing the dead leaves.

Your heart leaps, and you present your case before the Universe—

let him haunt me.

Every night you wait and listen, spinning scenarios of bliss in your head, the shade of him shuffling closer until you’re together—even that would be better than nothing, better than being alone. One night the shuffling does not return, and you lose hope.

Then an idea strikes you—a plan. The Universe won’t oblige, so you’ll take matters into your own hands. In the attic, you rummage through mold-encrusted boxes, wondering if you threw the board game away after that time it totally freaked you out. You’ve learned to do things alone, even that. Back then, you leaned over the Ouija board in the murky dimness, and dared to ask:

Will I die alone?

The planchette sped over the board, dragging your fingers with it, and you squeezed your eyes shut. When you opened them, you saw one of the candles had extinguished. The planchette rested on the word NO. Your hands shook, and you felt around for the flashlight, letting its unnatural glare bring you comfort. You tossed the Ouija board and its planchette in a box, where you hope they’d remain inert, collecting dust.

Until now.

When dusk arrives, you set up on the deck, guided by rays from the full moon. After fiddling with your phone for a while you light some candles and sit in front of the board, placing your fingers on the planchette.

Nothing.

I’d sell my soul to be with him.

You give up and return to your lounge and imagine his slender artist’s fingers gliding over your body, driven by his passion, and your imaginings continue until your watch says 2:42 AM. Then you rise and move to the board.

Ouija. In America, it’s pronounced weedgie. That makes you think of wedgies, and you crack a smile, readying yourself to ask another question.

Will he come to me?

Still nothing.

The numbers on your phone change to 3:00 AM. The planchette finally moves, and you tremble. It grates over the board with deliberate intent, landing again on the word NO.

No?

Then you hear it, and your heart flutters. The Ouija board must’ve been wrong. The shuffling sound moves through the forest, snapping twigs, and crunching desiccated leaves. You hear a voice, a voice that sounds like your lover’s.

“Run.”

What?

“Run,” he calls, this time more immediate, and intense, “Run for your life.”

The shuffling continues, then quickens, a steady treading.

“Run.”

His voice sounds so close you look toward the end of the deck, expecting to see him.

The treading escalates.

Fog spreads over the ground, rolls over the deck, and immerses you in its dingey green glow.

The wooden planks under you shudder with slow, thunderous stomping.

It can’t be him…

A surround sound effect circles a series of cackles through your entire body, and you cover your ears. When you remove your hands, you see they’re soaked with blood.

You can’t resist. Or scream.

And your eyes itch. You rub them, look at your hands, and see smeared blood from your eyes, too, weeping red so you can’t see clearly.

Through a break in the fog a gray, spindly, clawed hand stretches toward you, grasps your hair, and yanks you into the dirty haze. The cackling continues.

A misshapen, leering visage with fiery eyes peers into yours.

She drags you off the deck and shuffles into the forest.

Koren Cowgill (b.1969) is a mezzo-soprano, composer and writer. She holds degrees from the Eastman School of Music (Undergraduate and Doctorate) and Yale (Masters). All degrees are in Music Composition. Koren performs as a mezzo-soprano/alto soloist in venues throughout Southern NJ. Her novels, The Final Months of Hoo-hah, Teurith of Loring and Big Mary Part I are available on Amazon. She lives with her husband Richard and their dog Saffron in Cape May County, NJ.

Second Runner-Up for Halloween Poetry: “Echoes of the Silent Village” by Sophia Lipscomb

The night October of thirty-first
A darkness forms.
In clouds a ray of black smoke,
Swirls around a strike of lightning.
Mentopha is born.

An immortal serpent strikes down,
Descends on villages of folk of innocence.
Goes by the name of many:
Scraper, Slicer, Steelzer.

One infant in a crib alone,
Defenseless as one can be.
Mentopha enchants the infant to an everlasting sleep.
Parents come knocking,
Mentopha goes into hiding.

Parents rush to a post mortem crib.
Serpent rushes for the kill next.

One K-9 in a doghouse alone,
Defenseless as one can be.
Mentopha enchants the K-9 to an everlasting sleep.
Owner comes knocking,
Mentopha goes into hiding.

Owner rushes to a post mortem doghouse.
Serpent rushes for the kill next.

Again and again Mentopha strikes,
Until finally the village goes silent.

Years turn to decades,
Decades turn to centuries.
Untamed land turns to overrun land,
Of moss and broken wood.
Village turns into a forsaken hamlet.

The night October of thirty first,
A collection of adolescence go looking
For trouble they should not wish to find.
Smashing of pumpkins,
And crunching leaves of orange.
Acorn throwing at
A feline of black.
A collection of adolescence go looking
For trouble they should not wish to find.

Wind and water battle it out,
A storm forms as a result.
A light blazes the dark sky.
Mentopha lives.

Affected by the rain, the juvenile
Collection are trapped.
Five teens to count.
Five teens as victims.

A flash and one drops.
Four remain confused.
A flash and one drops.
Three remain shocked.
A flash and one drops.
Two remain panicked.
A flash and one drops.
One remains terrified.

A look to the right,
A flash reveals the serpent
In all her glory.
Seventy foot rope of scales,
Serpent head the size of a Greek trireme.

The adolescent frozen in fear,
Mentopha hisses
“Run,”
A flash and one drops.

The village turned
Forsaken hamlet,
With smashed pumpkins,
Crushed leaves of orange,
Acorns thrown at
A feline of black
Now running away.
The village turned
Forsaken hamlet
Goes silent at last.

Sophia Lipscomb loves reading and writing. This is her first writing contest she submitted to. Sophia is a full-time General Studies major at Hagerstown Community College. She hopes to graduate in December of 2025. Reading, giving attention to her three dogs, and calling her long-distance best friend is what Sophia enjoys most. She hopes to have one day published a novel of her own.

Second Runner-Up for Halloween Art: “Warmth of a Mother” by Samantha Atencio Ynoa

Samantha Atencio Ynoa is a first-semester student at Hagerstown Community College majoring in Psychology. 

This is the meaning behind the piece:

Yuuki Onna, known in the Japanese folklore as a beautiful snow woman, roams the mountains with a baby in her arms. When she encounters a lost traveler, she passes on the baby to them and freezes them on the spot.

The Kappa, who live in the lakes and rivers, have children as their favorite food. However, when the winter comes the lake freezes, and one Kappa, wandering lost in the snowy mountains, unknowingly eats the snow woman’s baby. Yuuki Onna, patiently and lovingly, takes over the Kappa as a replacement for her baby.

The Kappa, left to its cursed luck, will not survive the winter.

Third Runner-Up for Halloween Poetry: “Hawk” by Robin Witmer-Kline

Beckon me, oh beckon me
With your haunting cry
And with my eyes, I’ll follow thee
I’ll too, sprout wings and fly

Summon me, oh summon me
From Autumn skies to earth
And I shall soar vicariously
Fraternal twin, not birthed

Ascend the skies like Icarus
And leave the earth behind
Auspicious blessings, there, unknown
Most fortunate to find

To fly above the harvest fields
Absorb the colors brown,
From green, to red, to purple
Regalia and its crown

But flight without the proper wings
Is failure to behold
When freedom meets the sun and sea
As known from tales of old

I search my mind’s dependence
On Newton’s forceful law
For if I had a foolish mind,
In flight, I would not fall

Confined to earth, rotating sphere,
By rules that yoke and bind
Ethereal chains upon my feet
Not subject to the mind

So, Beckon me with hawkish myth
Far limited am I,
Forever forced upon this earth,
But in my mind, I FLY!

Dr. Robin Witmer-Kline, PhD, LPC is a full-time Assistant Professor of Psychology at Hagerstown Community College. She is also a licensed clinical psychotherapist in the state of Pennsylvania. Dr. Witmer-Kline earned her Ph.D. in Clinical Christian Psychology and combined her love of psychology and poetry for her dissertation in which she examined poetry therapy and faith’s combined effects on reminiscence, mood, cognition, and self-esteem in the elderly. She lives in Greencastle, Pennsylvania with her husband and extended family.